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This is not profit video,all music rights belongs to original composers;-) CASIO CZ 5000 DEMO SONG LIST;1.CARRIE-EUROPE 2.JUMP-VAN HALLEN 3.RANDEZ VOUS 4-JEAN MICHELL JARRE ORIENT EXPRESS-JEAN MICHEL JARRE 5.HAJDE DA SE VOLIMO-KERBER 6.TICO-TICO-Z.ABREAU 7.JOURNEY TO THE CENTRE OF THE EARTH -RICK WAKEMAN 8.KING ARTHUR-RICK WAKEMAN 9.HOT STUFF-DONNA SUMMER 10.WONDERFUL LIFE-BLACK 11. C' EST LA VIE-EMERSON LAKE & PALMER 12.MONEY FOR NOTHING-DIRE STRAITS,SMOKE ON THE WATER-DEEP PURPLE 13.I WAS BORN FOR LOVING YOU-KISS 14.PETITE DE LA MER-VANGELIS. 15 BUBBLE BOBBLE-COMMODORE 64 VIDEO GAME 16.CALYPSO 1-JEAN MICHEL JARRE 17.UNDER THE SEA-THE LITTLE MERMAID 18.ADDAM'S FAMILY THEME;-) CASIO CZ 5000 FAB.PRESET MIXED IN TONE MIX MODE WITH CASIO CHORUS,GLIDE AND PORTAMENTO ON SOME SOUNDS.EFFECTS;YAMAHA AW 16 G EQUALIZER,COMPRESSOR AND REVERB -DELAY ON 20%.PROF MILAN KOVACEVIC The CZ series were a family of low-cost Phase distortion synthesizers produced by Casio mid-1980s. There were eight models of CZ synthesizers released: the CZ-101, CZ-230S, CZ-1000, CZ-2000S, CZ-2600S, CZ-3000, CZ-5000, and the CZ-1. Additionally the home-keyboard model CT-6500 used 48 phase-distortion presets from the CZ line. The CZ series were remarkably flexible synthesizers, and their price made programmable synthesizers affordable enough to be purchased by garage bands. Yamaha soon introduced their own low-cost digital synthesizers, including the DX-21 and DX-100, in light of the success of the CZ series.

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Free download of microsoft encarta 2007. Users of the CZ series of synthesizer include Vince Clarke, Clarence Jey, They Might be Giants, Jean Michel Jarre, Seventh Celestia, the Orb, Moby, Jay Metarri, Cirrus, Jimi Tenor and Jimmy Edgar. Expressiveness/Sounds: 9 It sounds plastic and 80's, which is why it's such a guilty pleasure.

This instrument SCREAMS 'hey look at me I'm a synthesizer' and has a very rough bite to it. I would never attempt to synthesize a real instrument on this, and on anything that needs any sort of warmth through a filter, I'd definitely look elsewhere. However, for solidly plastic sounding 80's sounds, I'd go for this synthesizer in a heartbeat.

It can do basses that rival a Minimoog in terms of bubbling with personality (it's a very different personality, but you can definitely pull off some funk with this), does incredible leads, very strange pads and textures, and for bells and higher frequency stabs, it's brilliant. The only reason I give this a 9 is that while it can pull off all of these sounds, the only thing it can't do is 'warm and thick' without the assistance of effects. Reliability: 7 It's 20 years old. I only got it a week ago, but I've had no problems with it (other than the previous owner having stickers all over the back). The buttons are starting to wear down, but probably just need cleaning. I have done some pretty radical things with the programming and as long as you don't hack it through SysEx, it's solid as a rock. Customer Support: N/A Considering that this synthesizer was manufactured almost 20 years ago, you cannot get customer service on it.

Overall Rating: 8 If this were lost or stolen, I'd probably upgrade to a CZ-1 (same synth with velocity and aftertouch sensitivity and no sequencer). I've been into synths for two years, and in my arsenal is a Clavia Nord Modular, a Korg OASYS PCI, and a Yamaha CS-15, along with a few softsynths and things laying around my studio I don't use much at all (Roland SH-32, for example).

I have previously owned an Ensoniq SQ-80 and a Korg MS-2000. While this is digital, I cannot fake it on my Nord Modular without hours upon hours of effort and probably consuming a fair amount of DSP resources on it. If you're looking for THE 80's cheesemaker sound, there's no reason to not go for a Casio CZ, as this cost me $170 shipped ($120 for the board, $30 for shipping, and $20 because I felt like being nice that day since I know the guy).

CZ-3000s and 1000s are even cheaper, and a CZ-101 is very cheap if you're willing to tolerate mini-keys. I strongly advise against this being the only synthesizer in your setup, as if you are in a 'normal' band (with guitars and drums) you will stick out like a hot pink highlighter. If you're in an electronic group, it's probably fine if you have a warmer polysynth to balance it out. In terms of my advice for what polysynths you should have or get to balance this synth out sonically, I'd recommend something that has either a very smooth or very thick tone to it, and avoid things that may sound harsh.