• ' Released: 13 August 2001 • ' Released: 3 December 2001 • ' Released: 10 June 2002 • ' Released: 4 November 2002 Read My Lips is the debut studio album by English singer. It was released on 27 August 2001.

Sophie Ellis-Bextor — Murder On The Dancefloor RedMP3. Download Sophie Ellis-Bextor — Murder On The Dancefloor Stunningly! 8 people think this track is stunning! Music Gets The Best Of Me — Sophie Ellis-Bextor Album Version Read My Lips, 2001.

After the disbandment of the group, in which Ellis-Bextor served as vocalist, she was signed to Polydor. Prior to the LP's completion, the singer collaborated with several musicians, including band 's bassist, and frontman. The record was described as a collection of 1980s and 1970s music. Critical response to Read My Lips was polarised, with music critics denouncing its content that was, according to many of whom, of lesser quality than '—the singer's collaboration with Italian DJ. The album reached number two on the, and has since been certified double platinum by the (BPI). It spawned four singles: ', ', double A-side single ' and '. American musician ( pictured) sought Ellis-Bextor, so they could work together, due to her 'amazing' voice Following the disbandment of group, Ellis-Bextor provided vocals for the song ' by Italian DJ.

The song was a commercial success, and Ellis-Bextor signed to. She was contacted by director, who offered her a role in the 2001 film, but the singer refused in order to focus on her career as a recording artist. The success of 'Groovejet' also prompted American musician to notice Ellis-Bextor, and revealed interest in working with her due to her 'amazing' voice, as he described it. He instructed his record company to 'track' Ellis-Bextor 'down' so they could start working as soon as Moby finished his tour.

The two ultimately wrote five songs in New York City, which did not make the final cut of Read My Lips. Furthermore, she also recorded with bassist, as well as former frontman of the,, while was recruited for his and keyboard work. The album's title was chosen due to the strong lipstick Ellis-Bextor used for the album artwork and the ' music video. The album photography was shot by Mert Alas.

Composition [ ] An 'eclectic' album, Read My Lips, is a collection of. The album opener and first single is a cover version of 's 1979 song ', described as a 'disco groove'. Betty Clarke from observed that her voice in the song is reminiscent of 's (in the movie ). ', co-written by, is a 'vibrant' with a -influenced sound. Following track and second single, ', is a and disco record, that utilises and in its instrumental.

'Sparkle' has 'speeding beats and equally speeding ', while 'Final Move' contains 'tinny beats' and 'electro swirls'. The latter was deemed a 'subdued version' of 'Murder on the Dancefloor' with 'similar kaleidoscope synth'. 'I Believe' was described as 'funky' and 'live-sounding', while 'Leave the Others Alone' involves 'cold beats' and 'big, full-throttle keyboards'.

'By Chance' was particularly noted for showcasing Ellis-Bextor's accent. Re-release new song ' is a 'polite' Euro disco take on '.

Singles and promotion [ ]. Main article: Promotion for Read My Lips launched with the release of ', a cover of the song by singer, which was released on 13 August 2001. Although its production and Ellis-Bextor's vocal performance in the song were heavily criticised, the single reached number two on the.

After the release of the album, ' was serviced as its second single on 3 December 2001. It peaked in the top 10 of the charts in Australia, Austria, Belgium, Canada, Denmark, France, Hungary, Ireland, Italy, Netherlands, New Zealand, Norway, Sweden, Switzerland and the UK.

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A double A-side single including new re-release song ' and original album track 'Move This Mountain' was released on 10 June 2002, in a set of two CD singles. Ellis-Bextor, who had previously felt uncomfortable with the idea of touring, confirmed a UK-only tour in January 2001, which took place from April to May. Later, in July 2002, other dates of the tour were revealed for 2003. Critical reception [ ] Professional ratings Review scores Source Rating Blue Coupe Positive Negative Mixed Toby Manning from cited 'Take Me Home' and 'Move This Mountain' as the album's highlights, but, overall, he thought that the record failed to live up to the standard set by the previous collaboration with. He also found that the album's music and the distinctive pronunciation of Ellis-Bextor's vocal delivery did not work to complimentary effect. Betty Clarke from described the album as a 'sophisticated package' but said 'there's little to love and even less fun to be had'. Kelvin Hayes from dubbed it 'a disappointing debut from Ellis-Bextor, fusing synth with beats and cinematic strings', but described 'Murder on the Dancefloor' as the 'shimmering highlight' from the album.

A critic from said 'the material on her debut solo album only rarely does justice to her distinctive upper-crust voice', and said that 'most of the songs sound laboured and plod where they should swing'. In contrast to the previous reviews, Andrew Arora from Blue Coupe had a more positive response to the record. Arora said 'it lands somewhere between ' synth-pop faculty and 's album', although he claimed that fans of 'Groovejet (If This Ain't Love)' 'should not expect much from this album, but it does deliver a dynamic electro disco sound that is sometimes analogous to her breakthrough-hit single'.